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Julian Charrière – An Invitation to Disappear

Installation View: Julian Charrière, The Other Side of Eden, 2018 / It Was Hard Not to Be Preoccupied by the Fire and the Nightfall, 2018, Photo: N. Miguletz
Installation View: Julian Charrière, The Other Side of Eden, 2018 / It Was Hard Not to Be Preoccupied by the Fire and the Nightfall, 2018, Photo: N. Miguletz

Photo Credits: Julian Charrière, The Other Side of Eden, 2018, Schwerlastregal, Euro-Paletten aus Edelstahl, Palmfett, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

Julian Charrière, It Was Hard Not to Be Preoccupied by the Fire and the Nightfall, 2018, Dieselmotor, Stromerzeuger, Palmöl, Nebelmaschine, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

 

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Detail: Julian Charrière, The Other Side of Eden, 2018, Photo: N. Miguletz
Detail: Julian Charrière, The Other Side of Eden, 2018, Photo: N. Miguletz

Photo Credits: Julian Charrière, The Other Side of Eden, 2018, Schwerlastregal, Euro-Paletten aus Edelstahl, Palmfett, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Installation View: Julian Charrière, It Was Hard Not to Be Preoccupied by the Fire and the Nightfall, 2018, Photo: N. Miguletz
Installation View: Julian Charrière, It Was Hard Not to Be Preoccupied by the Fire and the Nightfall, 2018, Photo: N. Miguletz

Photo Credits: Julian Charrière, It Was Hard Not to Be Preoccupied by the Fire and the Nightfall, 2018, Dieselmotor, Stromerzeuger, Palmöl, Nebelmaschine, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Installation View: Julian Charrière, The Other Side of Eden, 2018, Photo: N. Miguletz
Installation View: Julian Charrière, The Other Side of Eden, 2018, Photo: N. Miguletz

Photo Credits: Julian Charrière, The Other Side of Eden, 2018, Schwerlastregal, Euro-Paletten aus Edelstahl, Palmfett, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Installation View: Julian Charrière, Ever Since We Crawled Out, 2018, Photo: N. Miguletz
Installation View: Julian Charrière, Ever Since We Crawled Out, 2018, Photo: N. Miguletz

Photo Credits: Julian Charrière, Ever Since We Crawled Out, 2018, S/W-Video aus Found Footage, Stereo, Loop, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Detail: Julian Charrière, To Observe Is to Influence, 2018, Photo: N. Miguletz
Detail: Julian Charrière, To Observe Is to Influence, 2018, Photo: N. Miguletz

Photo Credits: Julian Charrière, To Observe Is to Influence, 2018, Regenwaldasche und Vulkanasche, Sprühkleber, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Installation View: Julian Charrière, An Invitation to Disappear, 2018, Photo: N. Miguletz
Installation View: Julian Charrière, An Invitation to Disappear, 2018, Photo: N. Miguletz

Photo Credits: Julian Charrière, An Invitation to Disappear, 2018, Film still, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Installation View: Julian Charrière, An Invitation to Disappear, 2018, Photo: N. Miguletz
Installation View: Julian Charrière, An Invitation to Disappear, 2018, Photo: N. Miguletz

Photo Credit:
Julian Charrière, An Invitation to Disappear, 2018, Film still, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Installation View: Julian Charrière, And the Post-Modern Collapse of Time and Space, 2013, Photo: N. Miguletz
Installation View: Julian Charrière, And the Post-Modern Collapse of Time and Space, 2013, Photo: N. Miguletz

Photo Credits: Julian Charrière, And the Post-Modern Collapse of Time and Space, 2013, Film still, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Installationsansicht: Julian Charrière, We Are All Astronauts, 2013, Photo: N. Miguletz
Installationsansicht: Julian Charrière, We Are All Astronauts, 2013, Photo: N. Miguletz

Photo Credits: Julian Charrière, We Are All Astronauts, 2013, 13 found globes made of glass, plastic, paper and wood, steel base with MDF board, dust from globes surface and international mineral sandpaper, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Detail: Julian Charrière, We Are All Astronauts, 2013, Photo: N. Miguletz
Detail: Julian Charrière, We Are All Astronauts, 2013, Photo: N. Miguletz

Photo Credits: Julian Charrière, We Are All Astronauts, 2013, 13 found globes made of glass, plastic, paper and wood, steel base with MDF board, dust from globes surface and international mineral sandpaper, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Detail: Julian Charrière, Tambora, 2018, Photo: N. Miguletz
Detail: Julian Charrière, Tambora, 2018, Photo: N. Miguletz

Photo Credits: Julian Charrière, Tambora, 2018, Bandschleifer, Schleifband mit Mineralien vom Vulkan Tambora, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Installation View: Julian Charrière, Tambora, 2018, Photo: N. Miguletz
Installation View: Julian Charrière, Tambora, 2018, Photo: N. Miguletz

Photo Credits: Julian Charrière, Tambora, 2018, Bandschleifer, Schleifband mit Mineralien vom Vulkan Tambora, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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Installation View: Julian Charrière, Tambora, 2018, Photo: N. Miguletz
Installation View: Julian Charrière, Tambora, 2018, Photo: N. Miguletz

Photo Credits: Julian Charrière, Tambora, 2018, Bandschleifer, Schleifband mit Mineralien vom Vulkan Tambora, Photo: Norbert Miguletz, © Julian Charrière; VG Bild-Kunst, Bonn, Germany.

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